Alicia is aptly titled, as it largely returns to fundamentals following the loosely experimental Here. “Cardigan” avoids becoming saccharine when Swift allows it to be sensual, possibly name-dropping one of Rihanna’s steamiest singles (“Kiss It Better”) to seal the whole thing with a kiss. None of these songs reach overtly for the theatrics or immediate pop appeal of earlier singles such as “Look What You Made Me Do.” Instead, Swift foregrounds her narrative sensibility and her eye for detail, reminding us of—in case we somehow forgot—her voice-of-a-generation status. Dapperton’s sister provides sweet-sounding vocal accompaniment on “Antidote,” but the song’s reverb-drowned verses don’t leave much of an impression and its one-word hook quickly grows tiresome. Sufjan Stevens has never shied away from big ideas. The band’s lone radio hit, “Bound for the Floor,” is a catchy piece of angst-ridden alt-rock, but it would be easy to mistake it for a song by any number of forgettable groups from the post-Nirvana explosion. It’s a fitting summation of the tension between the thrill of love and the knowledge that it’s never truly promised, a conflict that’s motivated much of Swift’s music. As the album plays out, this feels less like a fluke and more like a trend; too often, the tracks stretch out far longer than seem necessary. Though the term thug life is commonly misinterpreted to mean “criminal life,” this is not actually the intention of the phrase.Thug life is a term used with pride, to describe a person who started out with nothing and built themselves up to be something.. Label: AWAL Release Date: September 18, 2020 Buy: Amazon. But the thing is, amplification is Kanye’s art: Sounds are always getting bigger and sharper, production progressively more expansive and diverse, and emotional honesty is taken to the most vivid of extremes. See below for our ranking of every song on the singer’s watershed eighth album. The album’s prevailing mood is braggadocio, ever Ye’s true north, and the greatest basis for his boastfulness is, familiarly, the resilience with which he’s carried himself on the path to commercial and personal success. Zachary Hoskins, The music on Jesus Is King is as impeccably produced as that of just about any Kanye release to date, but the shift toward gospel, while occasionally captivating and even convincing, more often proves that it’s more difficult for Kanye to apply his particular narrativizing gifts to faith than it is to the exploits of outsized celebrity caricatures, or the episodes of his own tabloid-baiting life. “Take your ball and go home/It’s no fun anymore,” Lucas smirks during the pre-chorus before the song explodes into a monolithic, shout-along chorus.
While the song deflates somewhat from the predominance of lyrical clichés (“The devil’s in the details, but you got a friend in me,” “I’d swing with you for the fences/Sit with you in the trenches”), Swift delivers every word with intimate urgency. Mac, Like Prince’s Black Album, Yandhi was pulled from release at the very last minute and shelved because its creator felt that its content was too explicit. Mandatory life sentences.
Indeed, this album is so dense that it wouldn’t be surprising if some of the less immediate tracks reveal their nuance as time goes on. This is one of a small handful of tracks on Folklore that feel less like distinct story beats and more like summations of the album’s broader emotional arc. Throughout the last two decades, Stevens has churned out intermittent masterpieces, all of them taking on vastly different sonic sensibilities, and his ability to surprise in every conceivable mode has become, perhaps, his defining characteristic as an artist. With his sophomore effort, Orca, Dapperton roughens up the edges of his music, trading in sleek synth-pop slow jams for unvarnished balladry and borrowing more heavily from indie rock. Whereas faith represents salvation for most, Host suggests that it can just as easily be one’s undoing.
But also, the title itself comes from the tattoo that he had across his abdomen that so many people know him for, that thug life tattoo. 3 on Criterion Blu-ray, Blu-ray Review: John Berry’s Claudine on the Criterion Collection, Blu-ray Review: Jules Dassin’s The Naked City on the Criterion Collection, Review: Alejandro Jodorowsky: 4K Restoration Collection on ABKCO Blu-ray, Review: Rouben Mamoulian’s Love Me Tonight on Kino Lorber Blu-ray, In Ivo van Hove’s Hands, West Side Story’s Actors Are Mice in A Cinematic Maze, Review: Hamlet at St. Ann’s Warehouse Is a Triumph of Production Over Performance, Confessions of a Drag Legend: Charles Busch on The Confession of Lily Dare, Review: Timon of Athens Takes Arms Against the Ravages of Wealth, Under the Radar 2020: The Shadow Whose Prey the Hunter Becomes, Not I, & More, Bestiary Poetically Raises a Coming-of-Age Tale to the Level of Myth, Glenn Kenny’s Made Men: The Story of Goodfellas Is a Stellar Anatomy of a Film, The Appointment Is a Bitterly Comic Unburdening of a Conscience, For Stephen King, As Well As His Fans, If It Bleeds Is a Coming Home, Love Is Political in Tomasz Jedrowski’s Debut Swimming in the Dark. “Medicine,” which sounds like a draft out of Ben Gibbard’s songbook, culminates with a collision of staccato piano and insistent acoustic guitar as Dapperton declares, “Every time they try to fix me up/I get addicted to the medicine.” These restless songs flit between lapses of focused meditation and fretful apprehension. West’s magnum opus, My Beautiful Dark Twisted Fantasy, would only have half a title if things were otherwise; the Black Power lingua franca of Yeezus wouldn’t be nearly as galvanizing without the juxtaposition of base carnality that shocks its politics into a realm of raw human expression; and The Life of Pablo, West’s most uninhibited and soul-baring album, reaches its highs through knotting grace and grotesquery into a mercurial self-portrait that’s rarely flattering but always magnetic. And maybe that’s a good thing: Looking back at the emotional exhibitionism that defines West’s incredible work, it’s starkly clear how much of himself he’s put into his art, but less clear how much more he can afford to give. rather an informal word summary that hopefully touches upon the key aspects of the meaning and usage of thug life Gus Dapperton’s most striking quality is his meticulous appearance, which consists of baggy, thrift-chic clothing, pristinely painted nails, and a sharp bowl cut. On “Paranoia,” he casts the titular emotion as a character itself, referring to it as an unwanted best friend he desperately tries to evade. Label: RCA Release Date: September 18, 2020 Buy: Amazon.
In fact, one of the album’s flaws is that its most emotionally resonant tracks—like the hazy devotional “Run Away with Me” and the dreamy, starlit ballad “Tell Me You Love Me”—are frontloaded.
In fact, “This Is Me Trying” is a fitting coda to Swift’s entire discography, mining both her vulnerability and her ability to do harm on a serene mid-album respite from the lyrical density of “Seven” and “August.” The image of a salt-rusted Swift downing a shot of whiskey between ruminations on her very public youth is jarring next to her self-titled debut, but it feels like an honest comedown from Lover’s shine.
Synonym Swaps! Famous figures such as Seattle Seahawks cornerback Richard Sherman have spoken out against the term’s use, saying that calling someone a thug “seems like it’s the accepted way of calling somebody the N word nowadays.” However, in some Black communities, a thug is a positive, in-group identifier. The music video, directed by Tarsem and inspired by Armenian director Sergei Parajanov’s 1969 film The Color of Pomegranates, finds Gaga awakening in a desert surrounded by pomegranates and a broken bicycle. In spite of its origins, thug life has been used to stereotype black urban youth as criminal. She explains how the GOP became pro-life, The cost of a closed 'big tent': pro-life Democrats say they are key to regaining majorities, Abortion foes rally to defend pro-life cause, In U.S., Nonreligious, Postgrads Are Highly "Pro-Choice"; Men, adults aged 55+ lean pro-life; women and young adults are evenly divided, Straus Snags Pair of Endorsements From Anti-Abortion Groups, Mommy, what's a pro-life democrat? The term was popularized in hip-hop culture, where thug life goes hand-in-hand with iconic rapper Tupac Shakur, or 2Pac. While The Ascension, as a whole, falls short of Stevens’s best work, there’s still plenty to like here.
Still, Shamir’s penchant for melody and introspection have proved adaptable to any genre that he fancies at any given moment, characterizing even his most lo-fi work with a pleading humanity. I never go IN this ruddy wire cage, only ON top-deck #ThugLife pic.twitter.com/soA3BzaXz8, — Osc& StanFox Terrierists (@oscarfoxterrier) August 25, 2018. A life sentence always lasts for life whatever the length of the minimum term. Label: Legacy Release Date: October 2, 2020 Buy: Amazon. Redefine your inbox with Dictionary.com updates. Dapperton delivers his stickiest hook to date on “Post Humorous,” a deceptively buoyant song about nihilism. A cascade of piano arpeggios and clouds of sentimental violin shore up ruminations such as “Teach me to love just to let me go” and “I can’t believe that I’m not enough.” “Gimme Love” is as pleading as its title suggests, while on “Run,” Miller confronts an evasive lover, smoothly shifting between morose belting and light-as-air head voice. But while the subject of Miller’s intense focus hasn’t changed since his last album, his music’s sonic reach has expanded on Nectar—at least to the extent to which he’s assisted by featured artists. Shamir vividly captures a Gen Z-specific angst and stewing inner conflict: “Smoke all the weed so I can cover my anxiety,” he confesses on “Paranoia.” Indeed, some of the best moments on the album explore the contradictions of the self and the paradoxical relationship between thoughts and behaviors. “The “N” word and cultural appropriation,”. Dapperton’s 2019 debut, Where Polly People Go to Read, offered an attractive amalgamation of alternative pop and R&B but did little in the way of distinguishing him from his peers. A quick drum fill, a shout, and a blast of guitar kick off Local H’s ninth album, Lifers, before frontman Scott Lucas growls, “Got a brother in a cheap red hat/Hazy days in a judge’s frat.” The song, “Patrick Bateman,” authoritatively announces the band’s presence, with massive guitars that practically race the track’s frenetic drumming and a throat-searing performance from Lucas, whose vocal cords were damaged in a mugging in Moscow in 2013. Sun-soaked guitar strumming belies lyrics about losing touch with one of the few lifelines available to a pessimist: humor.
“Video Game,” Stevens’s take on a straight-up pop song, wonderfully melds his well-trodden examination of religious themes (“I don’t want to be your personal Jesus,” he sings in a nod to the Depeche Mode song) with a strong melodic foundation. Kanye proved the possibility of this kind of finicky introspection without losing a hint of swagger, hopping from big issues to self-involved bluster, always with one eye on the mirror, second-guessing himself all the way to the top.
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