Jurgen Fauth, Ph.D., has critiqued international and independent film since 1999. Since the Oberhausen Manifesto of 1962, experimental German cinema has seen a resurgence, spearheaded by three poetic directors: Rainer Michael Fassbinder, Werner Herzog, and Wim Wenders. When a young woman investigates her town's Nazi past, the community turns against her. Stars: 108 min | With this one and others, he became a beacon for film lovers championing “difficult cinema”—which is just another way of saying, Whether you're an action fan or not, welcome to the most influential foreign film of the past 25 years. |
Dominique Horwitz, 120 min $5.51M, R Every one of the filmmaker's signature camera movements and lyrical sequences sets the stage for a climax that's unbearably heart-wrenching and undeniably beautiful; the way that Mizoguchi wrings sobs from viewers without stooping to sentiment confirms his status as a peerless melodramatist.—David Fear, Recently back in theaters for its 50th anniversary, Jean-Luc Godard's breezy riff on bad romance today enchants a whole new generation.
Herzog has since gone on to become a major documentarian (and a minor celebrity), but this early triumph marked him as a dramatist of exquisite instincts and remarkable commitment.—Joshua Rothkopf, The Italian movie was received, first and foremost, as a visual masterpiece, the lushness of its 1930s Fascist decor captured by future Apocalypse Now cinematographer Vittorio Storaro. Ali: Fear Eats the Soul (1974) launched Fassbinder’s international career and won him the FIPRESCI Award at the Cannes Film Festival. |
| This is a devastatingly honest film: Fassbinder's portrayal of the relationship (which nonchalantly breaks taboos of age and race) is revolutionary. And still others will glorify it as a piece of postmodern storytelling that proves truth exists solely in the mind of the beholder. Having already revised the action landscape with 1954's The Seven Samurai, Kurosawa would now do so again: Yojimbo, a massive worldwide hit, was (illegally) remade into a little Italian picture called A Fistful of Dollars, thereby launching the careers of Sergio Leone and Clint Eastwood both.—Joshua Rothkopf, Combining fictional tropes with documentary footage, Iran’s Abbas Kiarostami depicts/restages events surrounding the trial of a man arrested for impersonating famed director Mohsen Makhmalbaf (A Moment of Innocence). The highlights of his legacy are, for example, Buena Vista Social Club (1999), or Pina (2011), a documentary about Pina Bausch, the eponymous choreographer of contemporary dance. Under the guise of mocking the bourgeoisie as they negotiate romantic minefields, Renoir had also delivered a cunning commentary on old-world Europe; a cri de coeur at the hypocrisy of class pretensions; and finally, a rich, rewarding work of art that's equal parts irony and sympathy. font-style: italic; Caroline Link He has also lent his voice to several animated television programs, created a public service announcement, and even publicly ate his own shoe after losing a bet. Directed by May Spils, Germany's answer to the French New Wave is a sillier, more harmless version of "Breathless." Fassbinder always found himself on the outskirts of social norms: he provoked the public not only through his films, but also through his anti-capitalist views, addiction to drugs and alcohol, and his exhibitionist homosexuality. The best way to experience the richness of its matter and form is to consider the films of the New German Cinema’s main representatives: Rainer Michael Fassbinder, Werner Herzog and Wim Wenders. Director: 12,295 Fritz Lang's 1925 expressionistic science-fiction dystopia describes a world where the priviliged few live to dance with fawns while the masses work in gigantic underground factories — until a sexy robot upsets the system. Directors had toured their thinly disguised inner selves onscreen before, but nobody had mapped the contours of their own confused psyche with such free-form abandon.
As a music lover, the man is obsessed by the desire to build an opera house in the middle of a South American jungle. The cumulative effect is massive and central to an appreciation of evil.—Joshua Rothkopf, Ingmar Bergman enlisted a Swedish national treasure, director Victor Sjöström, to play a professor who takes a trip down memory lane en route to accepting an award for his distinguished career. Crime, Drama, Thriller. In brief, the story is about angels who descend upon Berlin to observe its people; when faced with such richness of life, one of them is unable to resist human temptations. Emmi (Brigitte Mira), a German hausfrau, falls for a young Arab immigrant named Ali (El Hedi ben Salem), much to the chagrin of her friends and family. Werner Herzog sent his "best fiend" Klaus Kinski into the South American jungle for this 1977 epic about a conquistadore driven insane by greed and ambition. The universality was heartrending.—Joshua Rothkopf, Victor Erice’s first film, about a little girl who sees Frankenstein and goes in search of the monster, works both as a haunting mood piece and as a subtle critique of Franco-era Spanish lethargy. Ang Lee readily acknowledged borrowing liberally from this film's eerily quiet fight scenes and balletic bamboo standoffs for Crouching Tiger, Hidden Dragon. The film follows a slow tempo, which allows for contemplation upon single images that are created through long, panning shots that play with light and color. 30,276
From 1915 to 1930, the German film industry was composed of silent films, which innovated and surprised the cinematographic world.
His first feature film, Eika Katappa, mixed opera and pop to create something completely new. 137 min Ranging from existential film noir (Ascenseur pour lâéchafaud) to zany visual comedy (Zazie dans le Metro), big-budget costume adventure (Viva Maria!)
Juliane Köhler, The directors of the period have won countless awards and are all critically acclaimed, but what defines them is their readiness to push boundaries, stir up controversy, or explore taboo themes in pursuit of their art. Drama, Romance. Nina Petri, Votes: Wind Directed by Marcell Iványi Watch now. Until the early 1960’s, German cinema was in decline: West Germany saw a rapid fall in film productions, while those that were produced frustrated their viewers with low quality and unexceptional subjects. In an interview with The Guardian about the film, Herzog explained his approach, ‘I’m not a journalist; I’m a poet. | Gross: Volker Schlöndorff's Oscar-winning adaptation of Nobel-prize winner Günther Grass' World War II novel is a must-see film, as disturbing and surreal as German history itself. $0.48M, R
The Bitter Tears of Petra von Kant (1972), 44. Stars: Stars: The great films explore everything from claustrophobic submarine warfare to expressionistic visions of the future, from angelic dreams of immortality to a certain mischievious dwarf. Directed by May Spils, Germany's answer to the French New Wave is a sillier, more harmless version of "Breathless." | Yes, our medieval Crusader hero (a sapling-young Max von Sydow) squares off against Death in a chuckleworthy chess match. | |
With this complex, modern-day take on the Ten Commandments, director Krzysztof Kieslowski (, ) scored his most lasting achievement. 136,080 Director: If Herzog perceives himself as a poet, then Wenders’ productions and frequent collaborations with artists may lend him the same title; after experiments with medicine, philosophy and painting, he finally decided to pursue film as a career. font-size: 9px;
The private and the public, the inner and the outer, the new and the old – these themes crisscross each other in the web of meditation, aesthetics and controversy that wound itself so strongly around Fassbinder. But far more subtly, director Bernardo Bertolucci smuggled in a daunting amount of psychology and intellectual heft to Alberto Moravia's tale of a high-ranking bureaucrat's secret decadence.
Oliver Hirschbiegel Director: Sönke Wortmann $0.01M, R Comedy, Drama, History.
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Decades later, Terry Gilliam would remake this plot as the eerie Twelve Monkeys.—Joshua Rothkopf, If film can be seen as a shared international language, then here's its most thrilling Rosetta stone. Janek Rieke, R These themes permeate the narrative and mise-en-scène in, for example, the BRD (Bundesrepublik Deutschland) trilogy – The Marriage of Maria Braun (1979), Lola (1981) and Veronika Voss (1981). | He worked at an incredible pace, creating 40 feature films, three short films, two television film series, 24 stage plays, four video productions, and four radio plays in the span of fifteen years. | TOP 10 TRUFFAUT FILMS. It’s nothing short of an entirely new way to make a musical, and composer Michel Legrand's score effortlessly yanks tears.—Joshua Rothkopf, In Max Ophüls's exhilarating romance, Danielle Darrieux is a debt-ridden countess who sells the title earrings gifted to her by husband Charles Boyer.
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