et benedicta in aeternum
Translation by Mick Swithinbank
Barring is a completely modern imposition on the music, so the choice of barring is editorial, and therefore a matter of opinion. Pre-1650 English texts (not necessarily translations) set to the music of the Latin motets, and other works. Click here to search for this composer on CPDL, Nine Compositions for Archbishop Parker's Psalter, 1567, Cathedral Music, Volume 1 (William Boyce), O salutaris hostia (contrafactum of O nata lux), Suscipe quaeso Domine - Si enim iniquitates, When Jesus went into Simon the Pharisee's house, Cantiones quae ab argumento sacrae vocantur, https://www.cpdl.org/wiki/index.php?title=Thomas_Tallis&oldid=1192628. I'm confused by the S. question in m23. Some of the irregularities of this piece come the from peculiarity of the Sarum rite chants. In 1970 it was renamed the Feast of the Presentation of Jesus at the Temple and in some Protestant churches is known as the Naming of Jesus, events likewise recorded in the Gospel of Luke 2:22-. Simon MacHale) 1 5 4 2 4 2 4 2 4 2 4 2 4 2? Composer: Thomas Tallis, Number of voices: 6vv Voicings: SSAATB or SATTBB 982) &ÚÚ Mi ra-cu-lum,-›ììœ … Genre: Sacred, Motet, Responsory for Candlemas, Language: Latin
The leading tone F# to G is more likely than A. m39, A: 4th quaver questioning E is a good question (due to clash with D in T1). The underlay in the Mapa Mundi edition are in fact, changes they made to the 19th century edition published in England and the 18th century edition.
He was esteem'd a most excellent Composer of Church Music, at least equal to any Contemporary, either of his own Country or of Foreign Nations; and was the first who compos'd the Musical Part of our Divine Service in the English Language. Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms. Please check if your new work has been automatically added below, then delete "Recent Additions". He died November 23d, 1585, and was buried at Greenwich in Kent.
A & T1, bars 35 & 36 - repetition of "cognoscit" (to coincide with S), S, bar 23 enters on the last crotchet and is held for 2 crotchets, A, bar 39, 4th quaver E should possibly be D. Incipit can be sung by any part and should probably have been written on a separate staff above the edition.
This page was last edited on 5 August 2020, at 16:02.
CPDL affiliated site This page was last edited on 3 July 2020, at 23:42. one who is beautiful beyond the sons of men, https://www.cpdl.org/wiki/index.php?title=Videte_miraculum_(Thomas_Tallis)&oldid=1178662. T. B. et ma -setrem lae tam - co gno - scit, -co- gno -- trem, et ma trem -se lae tam - co
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Videte miraculum matris Domini Thomas TALLIS (ed. she rejoices to be a mother.
a virgin has conceived though she knows not a man, Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms. This page was last edited on 28 September 2020, at 14:31. Vi de-te-----& œ Sextus (GB-Och Mus. -- Paul Marchesano Marchesa 18:36, 14 August 2009 (UTC), https://www.cpdl.org/wiki/index.php?title=Talk:Videte_miraculum_(Thomas_Tallis)&oldid=215778. Mapa Mundi) shows a number of differences: As the editor in question, I'd like to reply to Adrianwall's commentary. et matrem se laetam cognosci, CPDL affiliated site This page was last edited on 16 October 2019, at 03:51. The Feast of the Purification of the Virgin celebrated on February 2 is often called Candlemas after the custom of blessing the year's supply of candles before processing into the church. The entry in Cathedral Music, Volume 1 (William Boyce) reads: Thomas Tallis was Organist of the Royal Chapels to King Henry VIII, King Edward VI, Queen Mary, and Queen Elizabeth.
NOTE. On his Grave-Stone is the following Inscription: View the Wikipedia article on Thomas Tallis.
M. A1. and blessed for ever,
This category provides a list of Thomas Tallis works on CPDL, sorted alphabetically by title of the works pages. The piece has been published in double barring 8/2 - 6/2. knowing not that she is a wife, she has brought forth God and man for us. Haec speciosum forma prae filiis hominum Gloria Patri et Filio et Spiritui Sancto. He, in conjunction with William Bird, a Musician of great Eminence, who had been his Scholar, obtain'd of Queen Elizabeth, in the Year of our Lord 1575, Letters Patent, by which they claim'd the exclusive Right of printing all Ruled Paper, as well as of all Music Books, for the Term of 21 Years. This page has been (mostly) automated. Mary, who stands laden with her noble burden;
stans onerata nobili onere Maria; Instruments: A cappella. Here you will find free choral/vocal scores, texts, translations, and other useful information.
Videte miraculum matris Domini: concepit virgo virilis ignara consortii, stans onerata nobili onere Maria; et matrem se laetam cognosci, quae se nescit uxorem. The irregular barring used in this edition gives little, if any, benefit over 4/2 time throughout most of the piece. Behold the miracle of the mother of the Lord: She has conceived in her chaste womb S is singing though the entire measure, not entering. 54 Tr. quae se nescit uxorem. Title: Videte miraculum The pattern is suggested by T1, m36 and B2, m31. Deum nobis protulit et hominem.
This page was last edited on 14 August 2009, at 18:36. The sources are marked slashed-C (like modern cut time signature). Respond at 1st Vespers, Purification of the BVM (Greenwich is, in fact, in Greater London.). The entry in Cathedral Music, Volume 1 (William Boyce) reads: Thomas Tallis was Organist of the Royal Chapels to King Henry VIII, King Edward VI, Queen Mary, and Queen Elizabeth. concepit virgo virilis ignara consortii, Web page content is available under the CPDL copyright license ; please see individual editions for … Glory to the Father and to the Son and to the Holy Ghost. CPDL affiliated site This page was last edited on 14 August 2009, at 18:36. T1, m37, the F# is in agreement with 3 other sources. castis concepit visceribus, Videte miraculum matris Domini: See the composer page for a list of works sorted by genre and language. A2. Comparison of this edition with a published edition (pub.
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