To compose the score, Selznick chose Max Steiner, with whom he had worked at RKO Pictures in the early 1930s. [8] Selznick used the delay to continue to revise the script and, more importantly, build publicity for the film by searching for the role of Scarlett. [8][9][10] Four actresses, including Jean Arthur and Joan Bennett, were still under consideration by December 1938; however, only two finalists, Paulette Goddard and Vivien Leigh, were tested in Technicolor, both on December 20. In a letter to his wife two days later, Selznick admitted that Leigh was "the Scarlett dark horse", and after a series of screen tests, her casting was announced on January 13, 1939. This section showed that slave experiences were diverse and as a result, it concluded that the "happy darky" was a myth, as was the belief that all slaves experienced violence and brutality. | [43][77], Across all releases, it is estimated that Gone with the Wind has sold over 200 million tickets in the United States and Canada,[65] generating more theater admissions in that territory than any other film. "But despite the number of writers and changes, the final script was remarkably close to Howard's version. "[51], While the film was praised for its fidelity to the novel,[50] this aspect was also singled out as the main factor in contributing to the lengthy running time. The fact that Howard's name alone appears on the credits may have been as much a gesture to his memory as to his writing, for in 1939 Sidney Howard died at age 48 in a farm-tractor accident, and before the movie's premiere. Most of Steven Spielberg's E.T. With the defeat of the Confederacy, Ashley also returns, but finds he is of little help at Tara. [52] Leigh won in the Best Actress category for her performance at the 1939 New York Film Critics Circle Awards. Despite its quaint appearance, the mill was actually built in the Thirties and so was brand new at the time of filming. Edwards submitted a 775-page manuscript which was titled Tara, The Continuation of Gone with the Wind, set between 1872 and 1882 and focusing on Scarlett's divorce from Rhett; MGM was not satisfied with the story and the deal collapsed. | The studio believed that if the accent was not accurately depicted it could prove detrimental to the film's success. With that amendment, the Production Code Administration had no further objection to Rhett's closing line.[30]. [12] Goddard almost won the role, but controversy over her marriage with Charlie Chaplin caused Selznick to change his mind. [40] There were further re-releases in 1971, 1974 and 1989; for the fiftieth anniversary reissue in 1989, it was given a complete audio and video restoration. In turn, Whitney sold it on to MGM for $2.8 million, so that the studio owned the film outright. [44] In 2014, special screenings were scheduled over a two-day period at theaters across the United States to coincide with the film's 75th anniversary. Incapable of believing anything bad of her, Melanie stands by Scarlett's side so that all know that she believes the gossip to be false. [14] Just before the shooting of the film, Selznick informed newspaper columnist Ed Sullivan: "Scarlett O'Hara's parents were French and Irish. Technical Specs, Big Bear Lake, Big Bear Valley, San Bernardino National Forest, California, USA, Bidwell Park - Manzanita Avenue, Chico, California, USA, Big Bear Valley, San Bernardino National Forest, California, USA, Busch Gardens - S. Grove Avenue, Pasadena, California, USA, San Bernardino National Forest, California, USA, Selznick International Studios - 9336 W. Washington Blvd., Culver City, California, USA, The Old Mill Park, Little Rock, Arkansas, USA, Arroyo Boulevard, Pasadena, California, USA, Lasky Mesa, West Hills, Los Angeles, California, USA, Reuss Ranch, Malibu Lake, California, USA, Paradise Apple Orchard, Chico, California, USA, Ahmanson Ranch, Victory Boulevard, Lasky Mesa, West Hills, Los Angeles, California, USA, Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA, Woodland Hills, Los Angeles, California, USA, United Artists Studios - 7200 Santa Monica Boulevard, West Hollywood, California, USA. [63], Following Hattie McDaniel's Oscar win, Walter Francis White, leader of the National Association for the Advancement of Colored People, accused her of being an Uncle Tom. [50] Similarly, Hoellering found her "perfect" in "appearance and movements"; he felt her acting best when she was allowed to "accentuate the split personality she portrays" and thought she was particularly effective in such moments of characterization like the morning after the marital rape scene. [19][43], In 1978, CBS signed a deal worth $35 million to broadcast the film twenty times over as many years. [31], On September 9, 1939, Selznick, his wife, Irene, investor John "Jock" Whitney, and film editor Hal Kern drove out to Riverside, California to preview the film at the Fox Theatre. [115][116] The scene begins with Scarlett and Rhett at the bottom of the staircase, where he begins to kiss her, refusing to be told 'no' by the struggling and frightened Scarlett;[117][118] Rhett overcomes her resistance and carries her up the stairs to the bedroom,[117][118] where the audience is left in no doubt that she will "get what's coming to her". Rhett and Scarlett have a daughter whom Rhett names Bonnie Blue, but Scarlett, still pining for Ashley and chagrined at the perceived ruin of her figure, lets Rhett know that she wants no more children and that they will no longer share a bed. One briefly glimpsed location is North Little Rock Mill, the picturesque watermill seen at the opening of the film. When Scarlett vows never to go hungry again, it’s an early morning sunrise at Lasky Mesa, Calabasas, northwest of Los Angeles in the Simi Valley. [88][89] Both Schickel and Andrew Sarris identify the film's main failing is in possessing a producer's sensibility rather than an artistic one: having gone through so many directors and writers the film does not carry a sense of being "created" or "directed", but rather having emerged "steaming from the crowded kitchen", where the main creative force was a producer's obsession in making the film as literally faithful to the novel as possible. As Scarlett consoles Ashley, Rhett prepares to leave Atlanta. Reynolds likened Gone with the Wind to The Birth of a Nation and other re-imaginings of the South during the era of segregation, in which white Southerners are portrayed as defending traditional values, and the issue of slavery is largely ignored. Selznick refused to let us eat lunch, arguing that food would slow us up. As she is recovering, tragedy strikes when Bonnie dies while attempting to jump a fence with her pony.
In July 1936—a month after it was published—Selznick bought the rights for $50,000. [9][nb 3] Selznick and Cukor had already disagreed over the pace of filming and the script,[9][22] but other explanations put Cukor's departure down to Gable's discomfort at working with him. It was deliberately designed to look like a historic part of the landscape. [50] Hattie McDaniel's performance as Mammy was singled out for praise by many critics: Nugent believed she gave the best performance in the film after Vivien Leigh,[50] with Flinn placing it third after Leigh's and Gable's performances. Selznick changed his mind after his story editor Kay Brown and business partner John Hay Whitney urged him to buy the film rights. Not surprisingly, several estates lay claim to be the inspiration for ‘Tara’. [87][88] Schickel also believes the film fails as popular art, in that it has limited rewatch value—a sentiment that Kauffmann also concurs with, stating that having watched it twice he hopes "never to see it again: twice is twice as much as any lifetime needs". [19], "By the time of the film's release in 1939, there was some question as to who should receive screen credit", writes Yeck. When Rhett returns from an extended trip to London, Scarlett informs him that she is pregnant, but an argument ensues which results in her falling down a flight of stairs and suffering a miscarriage.
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