Quibbles about genre feel less urgent as the movie builds its peculiar world of dune buggies, leather shops, and swimming pools. A thriller? Release date: May 29Cast: Sierra McCormick, Jake Horowitz, Gail Cronauer, Bruce DavisDirector: Andrew PattersonWhy it’s great: This low-budget debut feature is a UFO movie that takes time to achieve lift off. All of her movies are about our search for experiences or people to hold the vast, awkward darkness at bay — our longing for a happy place. It’s both a profile of people determined not to be invisible — merely getting to the point where they could make themselves seen required a psychological revolution — and a rousing celebration of the activist counterculture that inspired and sustained them. Then we flash back to a time when the Oregon territory was far less developed, an era of perilous opportunity and rampant exploitation, and meet Cookie (John Magaro), a bashful and unassuming cook for a team of unruly fur trappers. What remains at the end are not the jokes or the food but the sense that the past is never quite done with us, that today’s heartbreaks and passions and tragedies are variations on ancient patterns. For more movies and shows to watch, check out our rankings of Best Horror Movies of 2020. A demonic spirit? Constantly rewritten and nearly aborted multiple times, the film was never properly released.
But once the movie locks them in place, tampering down the acrobatic camerawork and letting the sound design take control, the material finds a more natural rhythm, drawing on the hushed intimacy of old-fashioned radio drama.
Like the previous features he's directed, the stunning Synecdoche, NY and the puzzling Anomalisa, this new one, adapted from a novel by Iain Reid, is a less outwardly comic affair. In the early 1970s, Peter Medak — a young director with a string of acclaimed films to his name — was approached by his friend Peter Sellers to make a pirate comedy called “Ghost in the Noonday Sun.” What ensued was one of the most catastrophic shoots in film history, as the temperamental and unpredictable Sellers nearly brought down the entire production and alienated the rest of the cast and crew with his erratic behavior. In the beginning, these two might get on your nerves. Luckily, you don’t need a date to attend the Netflix version of The Prom—who knows how long this self-isolation could last, right? The costume design by Erin Benach is iconoclastic, drenching Harley in a confetti-and-caution-tape aesthetic. Starring Ferrell and Rachel McAdams as Lars and Sigrit, a pair of Icelandic competitors in the Eurovision Song Contest, it’s giving us serious Pitch Perfect-meets-Blades of Glory vibes. The rhythms of Kelly Reichardt’s hardscrabble 19th-century Pacific Northwest frontier drama are idiosyncratic if not inscrutable, which is why you’re unprepared for sudden revelations or flashes of connection. © 2020 Vox Media, LLC. This dive-bar elegy from the Ross brothers would be a work of bittersweet nostalgia in normal times. If you think you’re going to find a free McFlurry in New York, you’re kidding yourself. In this pensive, plangent film, Ulises (Juan Daniel Garcia “Derek”), a cumbia-obsessed 17-year-old “Cholombiano” from the working-class outskirts of Monterrey, Mexico, flees to the U.S. and tries to make a life for himself in New York. Cage's Nathan, a chatty farmer with a loving wife (Joely Richardson) and a pair of mildly rebellious kids, must contend with a meteoroid that crashes in his front yard, shooting purple light all over his property and infecting the local water supply. A child with cancer in Cleveland in 1957 gets proposed for an experimental treatment; a group of gawkers and government agents watch an atomic-bomb test in Nevada in 1961; a group of firemen rush to the Chernobyl Nuclear Power Plant in 1986. The uninitiated see bull riding as the ultimate demonstration of senseless, pointless risk, while the initiated see it pretty much the same way.
Just another night out. Both visually hallucinatory and morally centered, Bacurau excites and inspires in equal measure.Where to watch: Stream via Criterion Channel; rent on Amazon, iTunes, Vudu, and YouTube (Watch the trailer), Release date: March 6Cast: John Magaro, Orion Lee, René Auberjonois, Toby JonesDirector:Kelly Reichardt (Certain Women)Why it’s great: First Cow, Kelly Reichardt's evocative and wise tale of frontier life, begins with the discovery of two skeletons in the woods. At one point, a young woman from Idaho appears at the reception desk, claims to have been flown in to start as a new assistant, and gets whisked away to a room in an expensive hotel. Who in President Trump’s Orbit Has Tested Positive for COVID-19? DeAnna Janes is a freelance writer and editor for a number of sites, including Harper’s BAZAAR, Tasting Table, Fast Company and Brit + Co, and is a passionate supporter of animal causes, copy savant, movie dork and reckless connoisseur of all holidays. Here, actors Lana Condor and Noah Centineo reprise their roles as accidentally-in-love couple Lara Jean and Peter, though this time their relationship will be challenged when another of LJ’s letter recipients from the first film enters the picture.
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